Guerilla Synth
One of the highlights of my lazy, hazy, Monday off was seeing these guys perform in the Pit in Harvard Square. I’d been sitting on one of the low brick pillars, reading the end of Time Out of Joint, when they came and set up their equipment — which consisted of a drum set, an amp, some speakers, and this little wooden box I heard someone call a “modulator” — but I have no idea if that’s really its name. They looked pretty normal at first (and very young — I thought they were in high school, but they might be older). Then they slipped on these ski-masky things, for some reason I don’t really understand, and started to play.
To be honest I wasn’t paying too much attention. I was getting to the unveiling of the mystery in my book, and the sun on my back was very soporific. I was mostly hoping their music wouldn’t be too annoying (you have to remember they were wearing ski masks, and looked about seventeen. I was not expecting genius). Then, just as they were launching into their stompin’ beats and boops, the blues guitarist who’d been playing on the other side of the escalators blew over — quite irate. He explained that they either had to stop playing or move, he had a permit, it was against the rules, wringing of hands, etc. The drummer gazed up at his busyness rather blankly, without responding in any intelligible way that I could hear. He may have scratched his head. I think at one point he uttered the word “Huh?”
Eventually they seemed to reach an agreement of some sort and the nattily noired dudes moved their speakers — I swear — a total of three inches further away, and turned them about 90 degrees. Then they started up again. I was sure the guitarist would come stomping over again, and frankly I was quite looking forward to it. But either they were now soft enough not to drown him out completely, or he’d decided he didn’t want to deal with it, and he let things be.
Who’da thunk it, these guys turned out to be awesome! The one on the homemade “portable analog filter” (according to the website) was especially thrilling to watch, fingers fiddling and meddling with dials in seeming slow motion, yellow and black Puma’ed foot tapping. The drummer’s cymbal was torn from being smashed. It was quite the aural sensation — I was very entertained. It made up for there not being a big stinky fight between the forces of blues and electronica.
They gathered a big crowd, too. The most interesting audience member was, naturally, someone who couldn’t resist dancing. There’s always someone who decides the performers in the Pit are their own personal Mariachi band, and it’s usually an old lady of the I shall wear purple ilk. This time it was a fat old man with white hair and a red face, who appeared to be a little loopy. Don’t take my word for it — he was barking remarks at those of us not shaking our booty, and I believe one of the things he said happened to be, “I’m insane!” I’m really not sure, as I couldn’t hear him clearly. But if those were in fact his words, I salute him for his clearheadedness. Actually, I salute him anyway — he was having a fabulous time, and he made my day. I have pictures of him, but I don’t feel right about posting them, so I’ll refrain, and leave him to your imagination.
The good folks of Urban Electronica donate all their proceeds to the Pine Street Inn, which is more than decent of them. I left them five bucks and a note suggesting they hire the blues guitarist for ambient noise.
(Follow the thumbnail for more pictures.)
